[4] Kolbrún Bergþórsdóttir commented that the beginning by Viktor Arnar Ingólfsson is fast-paced and successful and the following chapter by Hrafn Jökulsson has the funniest section of the book.
[2] At that point there is a chapter by Stella Blómkvist which steers the story into such a cliché-ridden form that it can never recover.
[2] The story is ultimately "yet another addition to the failed crime stories which have been written in this country in the past few years" [a][2] Katrín Jakobsdóttir commented that the initial chapter by Viktor Arnar Ingólfsson is skillfully written and also comments positively on the chapters by Arnaldur Indriðason and Stella Blómkvist.
To begin with, the main character, Páll the policeman, is stuck in a cliché which Dashiell Hammett and Raymond Chandler popularized; he is a lecherous and drunk policeman with a constant hangover in his own private search for justice.
[b][1] In a later work, Katrín observed that the book was an interesting experiment and even though it had not been particularly successful it was indicative of the rapidly increasing vitality of Icelandic crime literature at the time.