The main fields of Fára’s interest were collages, assemblages and objects as well as photography.
During the 1950s, Fára participated at various activities of artists, writers and theoreticians from the circle of Karel Teige.
Even though his works, based on poetic construction were not created spontaneously, they recollect the production of the Fluxus movement.
During the 1960s, Fára collaborated with the Prague's Theatre on the Balustrade for which he created many timeless stage designs and posters.
In 1952, he married the Czech art historian and photography theorist Anna Fárová.