"[5] In agreement, Tony Cummings of Cross Rhythms said that "there's enough edge in the guitar work and screamed bits in the vocals to draw in some hard music headbangers and enough catchy hooks to ensure that pop fans will come back for more.

"[6] Indie Vision Music's Lee Brown evoked that the listener would "come for the addictive and memorable guitar licks with slightly pop-infused catchiness, but you’ll stay for the message that sits behind it.

"[8] Lastly, Bert Gangl of Jesus Freak Hideout called it "refreshing to know that the men of Silverline haven't forgotten the value of a dirty blues lick or perfectly-placed power chord.

In the same way, while the members of Silverline aren't quite bard material, the majority of their lyrical shortcomings are compensated for on the harder-rocking compositions, where passion and earnestness conceivably count for as much as, if not more than, any literary or poetic aspirations.

"[9] Louder Than the Music's Jono Davies told that "what Silverline do have that other modern and relevant sounding bands don't, is the worship lyrics which are refreshing to hear mixed with solid pop/rock tunes.

"[5] Cross Rhythms' Cummings told that the band was "confident enough to grab the opportunity that a record label debut offers while resisting the temptation to clone the Coldplay sound which makes much CCM rock so stereotypical.

"[7] Jesus Freak Hideout's Gangl wrote that the release is a "better-than-average effort that, although it falls shy of the consistently infectious gumption of Voices, it still offers plenty to love for those in both the radio-listening and rock-loving camps.