Liksom en Herdinna, högtids klädd

Liksom en Herdinna, högtids klädd ("Like a Shepherdess, festively dressed"), is a song by the Swedish poet and performer Carl Michael Bellman from his 1790 collection, Fredman's Epistles, where it is No.

A frequent theme is the demimonde, with Fredman's cheerfully drunk Order of Bacchus,[6] a loose company of ragged men who favour strong drink and prostitutes.

At the same time as depicting this realist side of life, Bellman creates a rococo picture, full of classical allusion, following the French post-Baroque poets.

As festively garb'd a shepherdess A garland of grasses weaves, And kneels by the spring to garnish her dress Entwining wild roses' leaves, Nor blends with clover, lilac and may, A sheen of pearls on midsummer day, In one fair wreath of leafy spoils, Whereo'er she so gracefully toils: The Epistle's tone soon departs from Boileau, as the nymph of verse 2 is a prostitute.

[21] Bellman's biographer Paul Britten Austin describes the song "with its almost religious invocation of a shepherdess, 'clad for some solemn feast'" as "more lovely in Swedish" than in Boileau's French.

He comments that in the Epistle, Bellman depicts the countryside just north of Stockholm like a John Constable painting, with "Mark how between meadows all awry/the Cot to the lake descends... Where farmer heavy on staggering wheel/Makes haste to his hearth and evening meal".

However, he finds "quintessentially Swedish" the mood of high summer, with a swallow flying into the room, the cock crowing outside, and the bell of the village church ringing steadily.

Everything is perfectly innocent until the last verse, when "Ulla, flat in the face of all Boileau-esque canons of what is permitted in a pastoral and forgetting all new-found respectability, falls into bed with her cavalier, both having drunk too much.

[23] The song perfectly fits Boileau's pastoral idyll, until the last two verses when the "shepherd" and his "shepherdess" throw aside their conventional masks and reveal themselves as "drunk, untidy, and not specially well-brought-up".

Epistle 80 starts with a close paraphrase from Nicolas Boileau-Despréaux 's 1674 guide to writing pastorales .
Liksom en herdinna has been described as depicting a scene much like John Constable 's oil paintings (here his 1821 The Hay Wain ) as the "farmer heavy on staggering wheel" trundles through the meadows. [ 17 ]