Lima culture

This pre-Incan culture, which overlaps with surrounding Paracas, Moche, and Nasca civilizations, was located in the desert coastal strip of Peru in the Chillon, Rimac and Lurin River valleys.

The Lima civilization was known in part for its ceramic artwork, consisting of styles such as Maranga and Interlocking patterns, which show the influence of the nearby Moche culture.

[1][2][3] The history of early Andean culture is essentially the story of a long process in which man learned to dominate nature, turning a desert into a green oasis.

[3] Within the Central Coast there is a strong pattern of architectural evidence that suggests organized communal and cultural activity during the Preceramic and Early Horizon Periods.

The second was the varied climate: from May to October moisture trapped by the hills fed vegetation in the slopes, which early populations could use to supplement their seafood diet.

Small, village scale pyramidal structures in the beginning of the Early Intermediate would slowly transform into the well-organized focus of the successive Lima culture.

At the start of the Early Intermediate, population was focused in the upper portion of the Lurin valley, characterized by isolated free standing-houses and short irrigation canals.

The population gradually expanded, moving down the valley, and utilizing longer irrigation canals to inter-connected dwellings, and eventually major cities and cultural centers.

It is believed that this site was a ceremonial center whose access was possibly restricted to only a religious elite, evinced by the fact that the uncovered floors show little wear from use.

[7][3] The Wak'a Cajamarquilla, located in the Rimac valley, was not a major commercial, not administrative, and not a military site during the Early Intermediate Period, being built around 400-600.

This centre of regional influence was assembled by pyramids, squares, streets, rooms and mazes clearly distinguishable in the midst of an arid landscape, harshly beaten by floods during the El Niño phenomenon appearances.

Nevertheless, this place sustained a very complete and dynamic civilization, as asserted by: the many human burials located in several sectors; the different decorations on objects, some typical of the valley itself, others from the rest of the Coast and others from the southern Sierra; the many underground cellars to keep food; and by the patios devoted to the production of chicha (an alcoholic beverage obtained from the maceration of corn) for celebrations.

[3][9] Wak'a Pacha Kamaq, noted for its great pyramidal temples and frescoed adobe walls, is one of the most important and remarkable sites constructed in the Early Intermediate Period.

[3] Wak'a Pacha Kamaq was the most distinguished pilgrimage destination along the coastal region, drawing worshippers from all over Peru to render tribute and to consult the oracle.

Segments of Lima culture weaved fine-looking multicolored tapestries and blankets and dyed their creations with natural dyes of which they created more than 190 different shades.

Textiles would be woven for everything from everyday clothing, to ceremonial robes for religious and political elites, burial mantels and wall-hangings for temples and palaces.

[2][3][13] Since the Ancient Peruvians never developed a system of writing, the images and signs woven into cloths or embroidered and painted on fabrics served as a pictorial language to communicate their beliefs about their world.

Ceramics of the Lima culture vary widely in shape and theme, with important social activities documented in pottery, including war, sex, metalwork, and weaving.

[3] Small mortars (grinding bowls), snuff spoons, and wooden tray artifacts indicate that drug usage was particularly prevalent in the Lima culture.

Coca leaves were especially common, chewed as a substance to alleviate hypoxia and altitude sickness (useful in highland cultures) and to help ease hunger, useful in times of food scarcity.

Cultures that were once thought to be group or "bottom-up" oriented in authoritative structure, and perhaps were, began to develop a social, political, and religious elite.

The Lima and surrounding cultures underwent radical reorganizations and shifting populations in order to compensate for the change in rainfall and water availability, which negatively impacted crops and damaged huacas and dwellings.

Wak'a Pukllana and characteristic adobitos. Miraflores District, Lima
Skull of a royalty member of the Lima people.
Playa Grande cup style, decorated "interlocking". MNAAHP.
Bottle Nievería sculptural style represents a snake. Larco Museum, Lima - Peru.