List of emperors of the Song dynasty

The growing importance of the civilian bureaucracy and national gentry class during the Song dynasty led to a much more limited role for the emperor in shaping public policy, although he still maintained his autocratic authority.

The Song fought a series of wars with the Liao dynasty (1125–1279), ruled by the Khitans, over the possession of the Sixteen Prefectures of northern China.

The amount of written characters used in posthumous names grew steadily larger from the Han dynasty (202 BC – AD 220) onwards and thus became overly long when referring to sovereigns.

However, senior officials not only challenged the emperor over policy, but restrained him by invoking the ideal Confucian mores and values of the literati gentry class from which they came.

[19] Song rulers, particularly Emperor Huizong, encountered a great deal of political opposition despite attempts to attain the ideals of the sage kings of antiquity.

[23] By the late 11th century, the elite marriage strategies of prominent families eroded due to the intense partisan politics surrounding the New Policies of Chancellor Wang Anshi (1021–1086).

[24] Peter K. Bol states that the supporters of Wang Anshi's expansionist, activist central government in his New Policies were convinced that he understood the dao which brought utopia to Western Zhou (c. 1050 – c. 771 BC) antiquity and were determined to conform society according to his vision.

The marginalised emperor – the last remaining aristocrat with any true political power – embraced the fiction that he was like the sage kings of old who brought society into a state of total harmony with court rituals and policy reforms.

[20] Yet after the reign of Emperor Huizong, Song rulers and officials alike disregarded the New Policies and focused instead on reforming society through a local, bottom-up approach.

However, Frederick W. Mote argues that most Song emperors – who spent much of their childhood confined and isolated within a luxurious palace – were aloof conformists detached from the world of normal affairs and thus relied on officialdom to administer the government.

A painted image of four Chinese women wearing colourful silk robes, their hair tied up into buns, standing around a small wooden block with silk laid on top while holding large whisks which they use to beat the silk
Peter K. Bol writes that Emperor Huizong's political ideology and artwork, such as this piece showing women preparing silk, has much in common with official Li Jie's ( 李誡 ; 1065–1110) 1103 architectural treatise Yingzao Fashi : "high technical standards, a lack of interest in individual variation, a concern with effective functioning, and a coherence of design in which all the parts fit together seamlessly" [ 14 ]