List of portrait drawings by Hans Holbein the Younger

[29] A painted portrait of her husband, Henry VIII's physician Sir William Butts, by Holbein, is also in the Isabella Stewart Gardner Museum.

[51] The tomb's appearance is recorded in an engraving of 1656, possibly by Wenceslaus Hollar,[52] and a watercolour miniature of circa 1585, probably by William Segar, on the cover of the manuscript Statu[t]es of Saint Paul's School, preserved at the Mercers' Hall;[53][47] the badly damaged remains of the bust, comprising only torso and hands, were reproduced in an 1809 engraving,[54] but have since disappeared.

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[70] The compositional sketch in Basel also records the likenesses of her sister Margaret Roper (a portrait miniature of her, by Holbein, is in the Metropolitan Museum of Art, New York).

[71] The drawing is a study for a painted portrait, now lost; a 1560s copy is in the Weiss Gallery in London;[12] a late-16th-century one is at Anglesey Abbey, Lode, Cambridgeshire.

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[64] It has long been noted that the pose of Cicely Heron, both in this drawing and especially in the annotated compositional sketch, is notably similar to that of Cecilia Gallerani in Leonardo da Vinci's Lady with an Ermine, although if this is a conscious reference or a mere coincidence remains uncertain.

[70] The compositional sketch in Basel also records the likenesses of her sister Margaret Roper (a portrait miniature of her, by Holbein, is in the Metropolitan Museum of Art, New York).

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[70] The compositional sketch in Basel also records the likenesses of his granddaughter Margaret Roper (a portrait miniature of her, by Holbein, is in the Metropolitan Museum of Art, New York).

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[70] The compositional sketch in Basel also records the likenesses of his sister Margaret Roper (a portrait miniature of her, by Holbein, is in the Metropolitan Museum of Art, New York).

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[94] The compositional sketch in Basel also depicts his wife Lady Alice More[137](a related painted portrait, attributed to Holbein's studio, is at the Weiss Gallery in London),[138] his daughter Margaret Roper (a portrait miniature of her, by Holbein, is in the Metropolitan Museum of Art, New York),[71] and his household fool Henry Patenson.

[58] Destroyed by fire at the Kremsier Castle (Czech Republic) in 1752,[59][60] its appearance is preserved in an annotated drawing by Holbein, now in Kunstmuseum Basel.

[61][58] There are also several later copies, including three 1592–1594 versions by Rowland Lockey: a watercolor miniature in the Victoria and Albert Museum[62] and two oils on canvas, one in the National Portrait Gallery,[63] and one at the Nostell Priory, West Yorkshire.

[161] The drawing is a study for a painted portrait, now lost; the last known copy was destroyed by fire at Knepp Castle in West Grinstead, Sussex, in 1904.

[173] The drawing is related to a painted portrait of Lestrange, by Holbein, in the Kimbell Art Museum, Fort Worth, Texas;[179] a copy by a follower is in a private collection.

[citation needed] Although there is no evidence to suggest this claim The drawing is related to a painted portrait, by Holbein's workshop, in the Metropolitan Museum of Art, New York.

[196] The drawing is a study for a painted portrait, now lost, but known through copies; an early-17th-century one is at the Hampton Court Palace, part of the Royal Collection;[199][200] another one, sometimes attributed to Holbein himself, is in the Prague Castle Picture Gallery, Czech Republic.

[227] A related painted portrait of Nicholas Carew, wearing a full jousting set of Greenwich armour,[233] by Holbein, is in the Drumlanrig Castle, part of the Buccleuch collection.