[1] Ljubinka Jovanović was studying painting at the Academy of Fine Arts in Belgrade in the class of Professor Ivan Tabaković.

With her future husband, Milorad Bata Mihailović, and his friends from the class Mića Popović, Petar Omčikus, Kossa Bokchan and Vera Božičković Popović, in 1947 she went to Adriatic Coast where they formed an art commune “Zadar group”.

[2] Starting in 1951, Ljubinka Jovanović had numerous solo and group exhibitions in Serbia and abroad, including Belgrade, Paris, New York, Rouen, Bilbao, Čačak, Nikšić, and Budva.

[1][3] Like most members of the postwar generation of Serbian painters, Ljubinka Jovanović went through several phases, but compared to others hers were less dramatic in terms of stylistic changes.

Based on such visuality, she created one of the most recognizable works in Serbian contemporary art of the late 20th century.