This loa is a commentary on historical events involving indigenous Aztec inhabitants and Spanish colonists.
The Divine Narcissus is ambiguous not only because the Spanish do not openly explain their objectives to the native population, but also because the story equates the Christian Eucharist to Aztec sacrifice.
Scene II: The character Religion (a Spanish woman) attacks the local inhabitants' idol worship as a disgrace.
America and Occident insist that they would rather live and die with their free will to practice their beliefs than be kept alive only to follow the demands of Zeal and Religion.
Characters are listed in order of appearance as follows: Sor Juana’s work shows apparent parallelism between her life and the struggle of the individual, specifically being for women in respect to creative fulfillment and self-expression.
The majority of the loa centers on freedom of choice for the indigenous inhabitants in opposition of the Spanish invaders.
Symbols are apparent in the names of the characters, such as Music, which typically signifies prosperity, pleasure, and an expression of emotions in a positive manner.