"Love Is Strong" is a song by English rock band the Rolling Stones, released as the opening track, and first single, from their 20th British and 22nd American studio album, Voodoo Lounge (1994).

; It's more than just a dream;I need some time; We make a beautiful team...The song was written in Ireland by Richards and originally had the name "Love is Strange".

Popular bootlegs of the sessions abound, as Ron Wood, Richards, Ivan Neville and producer Don Was worked the song while Jagger was supporting his record Wandering Spirit.

Later takes have Richards changing the title to "Love is Strong"; although the final release was significantly altered by Jagger's added lyrics and use of a harmonica, a trademark instrument for him rarely utilized in the Stones' middle period work.

Considerable promotional expense was spent on the Voodoo Lounge CD release, as it was the first on Virgin Records, including a popular music video directed by David Fincher and edited by Robert Duffy at Spot Welders; the black and white video shows giant versions of the Stones, as well as a few residents locked in romantic embraces, rambling about New York City.

[1] The single's weaker-than-expected lead dampened CD sales, despite positive critical reviews and a Grammy Award win for Best Short Form Music Video.

Although it had disappeared from several recent concert tours setlists in favour of the more live-friendly "You Got Me Rocking" (the follow-up single from Voodoo Lounge), the Stones reintroduced "Love Is Strong" to their A Bigger Bang Tour setlist on 22 July 2007 at their Brno, Czech Republic show and at their Hamburg show in August.

"[4] David Quantick from NME named it Single of the Week, commenting, "This time round, with a new contract and without the scabrous Bill Wyman sniffling at the back, the Rolling Stones have scented fresh money and made their best record for years.

"[5] David Sinclair from The Times wrote, "As well as a typically salacious vocal, Mick Jagger contributes reedy blasts of harmonica which intertwine loosely with the sinuous chop and grind of Keith Richards's suspended-seventh chords.