The film stars Vera Fischer, Tarcísio Meira, Xuxa Meneghel, and Matilde Mastrangi.
Meanwhile, many women in the house are hard at work preparing for what appears to be an important upcoming event, cleaning and arranging flowers.
The manager seems shocked by the idea of the boy staying with his mother, though it isn't immediately clear why.
Anna appears and embraces her son, commenting on how much more like a man he now is than he was the last time she saw him a year ago.
There are a large number of attractive women in the house, some of whom comment on or make flirtatious glances in the boy's direction even giving him air kisses.
The primary issue, though, seems to be that Anna generally provides full support for the Santa Catarina household.
As Anna and the manager continue to talk, it becomes increasingly apparent that the large mansion they are in may serve as some kind of brothel.
This is the reason why Anna is now wealthy enough to buy a house herself as well as support her mother's household in Santa Catarina.
They can return the boy—with some money to appease Anna's mother—to Santa Catarina, but need a plan for what to do until after the upcoming event.
The manager—now referred to as the brothel's madam—summons a woman named Therese and instructs her to create a makeshift bedroom for the boy in the attic.
Making eyes on him again, she approaches his room and stood in front of his door looking at him enticingly giving him an air kiss.
Shortly after, Hugo observes the topless woman, Tamara, being instructed as to the role she must play for a new customer.
The plan appears to be to show the man a good time, but put him at risk of future blackmail so that he feels some pressure to agree to the alliance.
The potential ally is to be offered the chance to sleep with Tamara, who is said to always sexually feel like a virgin even though she is not.
Witnessing Anna having sex, Hugo seems to realize for the first time the true nature of the house and his mother's line of work, and starts crying.
After foreplay, she layer Hugo down caressing him a bit more before straddling him but was interrupted when another woman approaches and starts crying, for unknown reason.
Their apparent leader, a man wearing a tuxedo, is introduced to other guests as Dr. Benicio, the prospective political ally of Dr. Osmar.
A group of women work on getting Tamara ready for her encounter with Dr. Benicio as Hugo continues to take in events from his upstairs vantage point.
Hugo finds some kind of hidden crawlway or space with a way to descend to a lower level where he is able to more closely witness various prostitutes having sex with men.
The resourceful Hugo finds his way into a crawlspace adjacent to their room to spy on them, but isn't entirely quiet, making some noise that attracts the attention of Dr. Benicio.
Dr. Benicio then openly voices his suspicions, mentioning a friend who was photographed having sex in order to blackmail him, and wondering if the same thing is happening to him.
Anna says that staying in the brothel wouldn't be good for Hugo, but he has trouble understanding and starts to cry.
A political figure, apparently newly empowered by the coup, arrives at the house and somewhat vaguely promises to continue to protect the brothel from the law.
In the film's final scene, the older man reveals that the young Hugo is his younger self from 45 years earlier.
Marcelo Ribeiro said that, unlike his first movie Eros, o Deus do Amor, when they put duct tape on his privates because he couldn't control himself, in this film's sex scenes he had a normal nude.
[9] As in the contract there was no release of the image for video, Xuxa, through a judicial injunction, ordered to collect all the original tapes of stores and stores of the country, nevertheless 4,000 copies were sold before the Justice to distribute its distribution, being, therefore, many pirate copies continued circulating, making of the film a true legend among people who did not know the work.
However, the film was released on DVD in the United States in 2005 and can be purchased by any Brazilian on foreign import sites.
In 2006, Marcelo Ribeiro was found at 39 and gave several interviews, and also published a book on how everything happened at the time, including conversations behind the scenes with the actress.
In 2011, producer Anibal Massaine fights in justice in the attempt to commercialize the film, taking advantage of the fame of the artist.
[12] In 2014, Xuxa lost a lawsuit it filed against Google to create a filter in order to eliminate results related to the movie in its search engine.