Cyrille and Osby met backstage after sharing a bill at a festival in France, and first performed publicly at Tonic in New York City in early 2004.

[1][2][3] Brandt Reiter, in an article for All About Jazz, stated that the album is characterized by "melodic improvisation within a tight compositional framework, with intensity coming not from highflying pyrotechnics but synchronized, concentrated searching."

He commented: "Rarely does Osby resort to the honks and squeals one would expect from this type of encounter, instead using his trademark lacerating tone to plumb the depths of each number... Cyrille's resources are seemingly limitless, his instincts uncanny and his choices startlingly right.

The veteran free jazz drummer demonstrates what experience and rhythmic creativity mean for music, while young alto and soprano saxophonist Greg Osby's warm and broad pallette really flourishes in this free and dynamic environment... anyone interested in drums and sax should have a close listen at how these two artists bring musical interaction to an almost sublime level... Another wonderful record which has almost gone unnoticed.

"[4] A Squidco reviewer wrote: "Theirs is a mix of intricate improvisations and blues based riff work with a strong compositional sense amidst creative and advanced playing.