Slow Dance, Free Pyjamas, Like It Soft and Flashes show his always changing sound palette, from electro influenced by artists like The Egyptian Lover to more tense and dark techno.

Based on a commissioned live performance by the French Musée du Quai Branly and festival Les Siestes Electroniques, the recordings put together the imaginary tales and sounds of the Garifuna people, a tribe from Honduras about which little is known.

[2] 2015 began with the release of Imaginary Boogie, a 6 tracks EP on The Trilogy Tapes (London) presented as a failed attempt at producing « boogie-infused » house music.

His second album Sewing Machine on French label In Paradisum (Paris) marked a decisive step with profile from national press Libération,[3] as well as rave reviews in specialist music publication like Fact Magazine,[4] The Quietus,[5] Tsugi [fr],[6] Les Inrockuptibles.

[7] According to Philip Sherburne writing for Pitchfork Media, "Low Jack (aka Philippe Hallais) is one of the more exciting producers to emerge from the experimental techno community".