Immediately at the beginning, Mária Balážová, created her own „personal mythology“, emphasizing a snake motif in the geometrically stylised form of a cobra.
This animal, which occupies an important position in world mythologies and religions, became the main motif of cycles of paintings, to which the artist gave the name Serpent Geometry.
Balážová distinguished herself from classic Neo-Constructivism, outlined on subjectless combinations of shapes and colours, put together into geometric structures.
A distinctly expressive handwriting used in some places refers very straightforwardly to Balážová´s personal story and moves the general criticism of an androcentric society to a more intimate position.
Here, the key role is played by the figure of a despotic father who permanently and demonically comes back in acrylic canvases and large-format drawings – destructively and aggressively .