Also that year Orlando di Lasso conducted Nil mage iucundum at the court of Albert V, Duke of Bavaria in Munich; however the music has not survived.
Evidently she visited Verona, Milan and Florence, based on information contained in dedications, and likely she went to Venice as well, since her music was published there and numerous Venetians commented on her abilities.
Her style is moderately contrapuntal and chromatic, reminiscent of some of the early work by Marenzio as well as many madrigals by Philippe de Monte, but avoids the extreme experimentation of the Ferrara school composers such as Luzzaschi and Gesualdo.
[3] Other composers of the time, such as Philippe de Monte, thought highly of her; that Lassus conducted a work of hers at a wedding in Bavaria suggests that he also was impressed with her ability.
In 2022 it was announced that a further 17 madrigals have been added to her surviving repertoire, with twelve of the pieces being performed for the first time in 400 years on 8 March 2022, by the Fieri Consort, as part of the BBC Radio 3's programming for International Women’s Day.