[3][4] Through her job, she accumulated resources and gained public support for annual exhibitions of photographs at the AGO; they included work by Robert Bourdeau, Lynne Cohen and others.
[8] In the 20th century, she acquired in-depth representations of vernacular World War I albums, personal albums and several international press agencies, alongside a critical mass of work by Josef Sudek, Alfred Eisenstaedt Diane Arbus and many others, combined with a Canadian representation of both 19th and 20th centuries, photographers such as Michel Lambeth and contemporaries such as Lynne Cohen, Jeff Wall, and Edward Burtynsky.
[11] She organized the show Eisenstaedt: Two Visions (2006), produced in conjunction with the Museum of Fine Arts, Boston exhibition Ansel Adams.
[12] She organized the exhibition Josef Sudek: The Legacy of a Deeper Vision and both edited, curated and wrote for the book of the same title from Hirmer Verlag, Munich, distributed by University of Chicago Press, in 2012.
[16] In 2015, Sutnik organized the travelling exhibition Memory Unearthed: The Łódź [Lodz] Ghetto Photographs of Henryk Ross, and edited as well as writing an essay Cruel Tragedies, Consoling Pleasures.
[17] She also curated a special complimentary exhibition The Last Journey of the Jews of Łódź for the Oregon Jewish Museum and Center for Holocaust Education, Portland.
A woman (Kryssa Rosenstein, née Stopnicki), living in Quebec, found herself at the age of two with her parents, whom she was able to identify, from seeing the reproductions in the book.