Makassan contact with Australia

[1][2][3] They were men who collected and processed trepang (also known as sea cucumber), a marine invertebrate prized for its culinary value generally and for its supposed medicinal properties in Chinese markets.

The creature and the food product are commonly known in English as sea cucumber, bêche-de-mer in French, gamat in Malay, while Makassarese has 12 terms covering 16 different species.

The catch was placed in boiling water before being dried and smoked, to preserve the trepang for the journey back to Makassar and other South East Asian markets.

[citation needed] Based on radiocarbon dating for apparent prau (boat) designs in Aboriginal rock art, some scholars have proposed contact from as early as the 1500s.

[11] A Makassarese legend suggested that the first cargo of Australian trepang were brought to Makassar by leaders who had previously escaped the Dutch conquest of the Sultanate of Gowa.

Makassan perahu or praus could carry a crew of thirty members, and Macknight estimated the total number of trepangers arriving each year as about one thousand.

[13] The Makassan crews established themselves at various semi-permanent locations on the coast, to boil and dry the trepang before the return voyage home, four months later, to sell their cargo to Chinese merchants.

[18][19] Archaeological remains of Makassar processing plants from the 18th and 19th centuries are still at Port Essington, Anuru Bay, and Groote Eylandt, along with stands of the tamarind trees introduced by the Makassan.

[a] In January 2012, a swivel gun found two years before at Dundee Beach near Darwin was widely reported by web news sources and the Australian press to be of Portuguese origin.

[26] The Wurrwurrwuy stone arrangements at Yirrkala, which are listed as heritage monuments, depict aspects of Makassan trepanging, including details of the vessels' internal structures.

Scientists at the Western Australian Museum in Fremantle have made a detailed analysis and have determined that these weapons are swivel guns and almost certainly of late 18th century Makassan, rather than European, origin.

The discovery sparked an international search for descendants of these people, in the hope of being able to do DNA testing to shed more light on migration from northern Australia to South East Asia.

[11] Even into the early 21st century, the shared history between the two peoples is still celebrated by Aboriginal communities in northern Australia as a period of mutual trust and respect.

[11] However, anthropologist Ian McIntosh has speculated that the initial effects of contact with the Makassan fishermen resulted in "turmoil"[31] with the extent of Islamic influence being noteworthy.

[34][clarification needed] Studies by anthropologists have found traditions that indicate the Makassans negotiated with local people on the Australian continent for the right to fish certain waters.

[8] Some of the rock art and bark paintings appear to confirm that some Aboriginal workers willingly accompanied the Makassans back to their homeland of South Sulawesi across the Arafura Sea.

[39] After visiting Groote Eylandt in the early 1930s, anthropologist Donald Thomson speculated that the traditional seclusion of women from strange men and their use of portable bark screens in this region "may have been a result of contact with Macassans".

[46] In 2012, a huge painting by Gulumbu Yunupingu titled Garrurru (Sail) was installed at the Australian National University's Hedley Bull Centre for World Politics.

[51][better source needed] According to anthropologist John Bradley from Monash University, "If you go to north-east Arnhem Land there is [a trace of Islam] in song, it is there in painting, it is there in dance, it is there in funeral rituals.

Following the voyage, a series of mutual visits occurred between Makassar and Arnhem Land's Aboriginal communities, with a number of artistic performances in the ensuing years.

A minority dissenting opinion by Justice Michael Kirby noted that the judgment had posited an obligation to "the poorly armed forebears" and "would always be unfavourable" to the communities.

Locations mentioned in this article:
A type of Makassan perahu , the patorani
A sea cucumber from the Mediterranean
Model of Makassan perahu, Islamic Museum of Australia
Makassan stone arrangement near Yirrkala, Northern Territory
A female figure outlined in beeswax over painting of a white Makassan prau
A group of Aboriginal Australians in Makassar, 1873.