[3] The marriage ended in divorce in 1912, a petition from George Pritchard naming the Honourable Charles Cecil Orlando Weld-Forester as a co-respondent.

[7][1] As a writer, Pritchard's work was noted for its sensuality and appreciation of the romantic and erotic potential of fashion, and how clothing could be used to present and construct the wearer's femininity.

[7] Her pieces for The Lady's Realm often discussed underwear at great length, arguing that even the most virtuous women could appreciate attractive lingerie without being accused of immorality.

[8] Pritchard compared the pursuit of chic and the appreciation of fashion to a modern-day religion, echoing her contemporaries such as the Comtesse de Tramar, who wrote books on beauty with purposefully religious-sounding titles such as Le Bréviaire De La Femme (1903), and L'Evangile Profane: Rite Féminin (The Profane Gospel: Female Rite, 1905).

"[10] However, Pritchard's writing has also been criticised for showing "aggressive" and "conventional middle-class attitudes" and of using the language of "cultural terrorism" as defined by Pierre Bourdieu to attack athletic women and progressive or practical clothing.

The Lady of Chiffon was confident and self-assured, aware of her seductive femininity, and while she followed fashion with interest, she also enjoyed expressing her individualism and personal taste.