Muracciole has held positions as head of the cultural department at Paris's Galerie nationale du Jeu de Paume until 2011.
Muracciole curated numerous exhibitions in museums and art centers, including Claude Closky Climb at your own risk at Madre (Naples, 2007);[5][6] Yto Barrada RIffs at the Deutsche Guggenheim (Berlin, 2011),[7] Fotomuseum (Winterthur), the Wiels (Brussels),[8] The Renaissance Society (Chicago, 2012);[9] Allan Sekula Disassembled Movies 1972–2012 at Akbank Sanat, Istanbul in collaboration with Ali Akay.l[10] A Wonderfully Inadequate Medium: Allan Sekula and Photography, at Marian Goodman Gallery London, March to May 2019.
Yto Barrada, Holes in the moon, ENSAPC (école des beaux-arts de Paris-Cergy), l’Été culturel, August to September 2020.
At Beirut Art Center (BAC) Muracciole curated monographies of Zineb Sedira,[11] Joachim Koester,[12] Marie Voignier,[13] Danièle Genadry,[14] Naeem Mohaiemen, Allan Sekula, Marwa Arsianos, Tony Shakar, Rana El Nemer, Hassan Khan,[15] Otobong Nkanga, as well as many group shows.
Among her publications, Contre-courants: à propos d’Allan Sekula et d’Aerospace, in Jeux sérieux, (HEAD), 2015, Something New About Plants, Genealogy Tree, in Yto Barrada (JPRingier, 2013); A Love Story, Transportations, in Amar Kanwar: Evidence (Fotomuseum Winterthur/Steidl, 2012); Memory's body.
[20] She is the editor of Claude Closky Climb at Your Own Risk (Naples: Electa, 2007),[21] Yto Barrada Riffs (Berlin: Deutsche Guggenheim, 2011), Allan Sekula's writing (Paris: École nationale supérieure des Beaux-Arts, 2013),[22][23] Photography at Work: Allan Sekula (Beirut: Beirut Art Center, 2017), Knots'n Dust: Francis Alÿs (Dijon : Les Presses du réel, 2018).
Climb at your own risk, Claude Closky, Eduardo Cicelyn, Katy Siegel & Paul Mattick, M.M., English and Italian Editions, Electa, Napoli, 2007.
“(Prière de toucher)” in Pierre-Lin Renié, D'autres jours / On Other Days, 2017 “Quitte ou double”, in Bernard Piffaretti Catalogue raisonnable, 2016, MAMCO, Genève.
“Contre-courants : à propos d’Allan Sekula et d’Aerospace”, in Jeux sérieux – Cinéma et art contemporains transforment l’essai, HEAD et MAMCO, 2015.
“Elisabeth Ballet, Attirance fatale (Underground)”, in Art Public Poitiers, Les presses du reel, 2014.
“ Time Serial Killer ”; “ See the Words ”; “ Reading the Visible ”; in Claude Closky, catalogue 315, editions Centre Georges Pompidou, Paris, 2006.
“Une fiction permet de saisir la réalité et en même temps ce qu’elle cache ”, essai sur Marcel Broodthaers, Le Portique n°5, Strasbourg, 2000.