Les Joyaux de la Princesse developed the genre further, offering a particularly mesmerizing style of dark ambient intermingled with historical samples, speeches and interbellum chansons.
Similarly, the term 'industrial' does not denote only old-school industrial music, but rather the broad spectrum of post-industrial scene (from neofolk acoustics to harsh noise).
(industrial black metal), Die Weisse Rose (darkwave), Axon Neuron/Vagwa (dark ambient), Feindflug (EBM), Gae Bolg and the Church of Fand (medieval), H.E.R.R.
A range of philosophical, political, or religious themes with an illiberal, anti-cosmopolitan, and anti-egalitarian bias predominate, such as Friedrich Nietzsche's Übermensch, Oswald Spengler's pessimistic vision of Western decline, Mircea Eliade's theories about sacred practice and symbolism, René Guénon's writings on the "spiritual degeneration" of the West, Ernst Jünger's ideas about the renewing power of war and adversity, Julius Evola's revolutionary mysticism and Nazi mysticism.
[citation needed] Some bands (Von Thronstahl) openly declare interests in learning of fascistic ideology,[3] while others (Kraschau) favor monarchism, but some others (Militia) are eco-anarchists.