As an amateur photographer, he published many of his works in the magazine Geijutsu Shashin Kenkyū (芸術写真研究), beginning in the 1920s.
He was talented at pictorialist (art) photography and took many photographs using a soft focus lens and deformation and "wipe-out" techniques.
Takayama usually used a Vest Pocket Kodak camera manufactured by Eastman Kodak camera, which was a very compact folding model taking 127 film equipped with a single-element lens (単玉, tangyoku).
[a] These cameras and Japanese derivatives such as the Rokuoh-sha Pearlette and Minolta Vest) were popular in Japan at the time for snapshot use, which were called vestan (ベス単, besutan) cameras as a portmanteau: "ves" was taken from "vest" and "tan" from tangyoku.
Takayama's works are thus said to belong to the "ves-tan" (besutan) school.