Master of Animals

Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.

[3] The Master of Animals is the "favorite motif of Achaemenian official seals", but the figures in these cases should be understood as the king.

[8] The motif appears on a terracotta stamp seal from Tell Telloh, ancient Girsu, at the end of the prehistoric Ubaid period of Mesopotamia, c. 4000 BC.

[12] This in turn is related to a figure on the Gundestrup cauldron, who sits with legs part-crossed, has antlers, is surrounded by animals, and grasps a snake in one hand and a torc in the other.

This famous and puzzling object probably dates to 200 BC, or possibly as late as 300 AD, and although found in Denmark, it may have been made in Thrace.

A form of the motif appears on a belt buckle of the Early Middle Ages from Kanton Wallis, Switzerland, which depicts the biblical figure of Daniel between two lions.

[13] The purse-lid from the Sutton Hoo burial of about 620 AD has two plaques with a human between two wolves, and the motif is common in Anglo-Saxon art and related Early Medieval styles, where the animals generally remain aggressive.

Egyptianizing gold pendant showing the Lord of the Animals, Minoan , 1700–1500 BC. Aegina Treasure . ( British Museum )
Mistress of animals ( Potnia Theron ) Pithos with relief, 625-600 BC, National Archaeological Museum of Athens
"Master of the Animals" stamp seals, Tepe Giyan , Iran, 5000-4000 BCE. [ 7 ]
Gebel el-Arak Knife (c. 3450 BC). Naqada II , Egypt
Assyrian hero grasping a lion and a snake
Single bull-man wrestling with a lion, Mesopotamia , 3rd millennium BC