May Morris

[6] She edited her father's Collected Works in 24 volumes for Longmans, Green and Company, published from 1910 to 1915, and, after his death, commissioned two houses to be built in the style that he loved in the village of Kelmscott in the Cotswolds.

The school originally opened in the autumn of 1872 in rooms in Sloane Street, London, with a staff of twenty women overseen by Lady Welby and Mrs Dolby, an "authority in ecclesiastical work".

[10] While the course available in the government schools of design for women was theoretical only, the RSAN had the distinct advantage of a practical, hands-on technical training.

The school grew rapidly, and by 1875 had moved into their third locale, conveniently located in Exhibition Road next to the South Kensington Museum.

Also among the staff at the RSAN were Jane Morris's sister, Elizabeth Burden, who was chief technical instructor from 1880,[11] and designers Deborah Birnbaum (c1889) and Nellie Whichelo (c1890).

She began to design jewellery around the turn of the 20th century, and was probably inspired by the Birmingham jewellers Arthur and Georgie Gaskin, who were old family friends.

May Morris , 1872, by Dante Gabriel Rossetti .
Embroidered Altar frontal , executed by May Morris from a design by Philip Webb . [ 9 ]