[4] Recorded during two weeks in May 1995 at Criteria Studios, in Miami, the album was produced by Guy Fixsen; Gabriel Stout played drums.

The Washington Post wrote that Robinson and Cross "trade lead vocals on 13 short songs that combine bubblegum tunefulness ('Neely'), with lounge-ballad melancholy ('Seabird'), evanescent soundscapes ('Reprise') and occasional space-rock bleeps.

is a bit too strong when Robinson indulges his propensity for creating inconsequential chantalongs like 'World Cup Fever', but he offsets that with reams of bracing, Fire Engines-styled guitar and a guileless new wave sensibility (see 'Dolphin Expressway') that should sway all but the most diehard Anglophobe.

"[10] The Tampa Tribune concluded that "Air Miami soars through a universe of pop styles with a surfeit of panache and a minimum of bombast...

"[15] Spin called Robinson "one of the few men in indieland who can hold a vocal melody," and wrote that "the guitar work here is as nimble as Dean Wareham's.

"[17] The St. Louis Post-Dispatch labeled the album "alternately fun and pretentious, like most 4AD stuff," writing that "faced with the choice of copping either atmospheric Velvets-style arrangements or Wire-esque sprinters, Air Miami did the all-American thing and riffed off both.

"[18] AllMusic wrote that, "unsurprisingly, early drum machines provide percussion as well, a sonic signifier that also fits nicely more often than not ... Me, Me, Me is a simpler musical pleasure than most.