[4][5] Her education, encompassing both Eastern and Western traditions, has played a significant role in shaping her innovative approach to materials and themes of cultural translation in her artwork.
[13] She additionally uses materials such as fragrance, pigments, varnish, gold leaf, resin, and acrylic in her work.
[21][22][23] The soap was scented,[23] vegetable-based, and had a skeletal support attached to the base holding the sculpture upright.
[25] She evoked Asian features on her 2002 statue Crouching Aphrodite by casting parts of herself to make sculptures,[26] challenging classical standards of beauty.
Her works are celebrated for their sensory engagement and the unique interplay of traditional forms with ephemeral materials.