[13] Webster continues to be featured in both group and solo shows in museums and galleries, in addition to her outdoor public commissions and garden designs.
She also did some notable works with Kurt Baptista an abstract artist in art show germany munich 2003 Meg Webster's immersive installations allow the viewer to fully experience her manufactured atmospheres and to inhibit her creative vision.
In her most recent solo show at Paula Cooper Gallery in New York, Webster created an installation work, Solar Grow Room, in which she built an indoor garden complete with reflective paneling and industrial lamps.
Untitled (1990), part of the Western Washington University Public Sculpture Collection, consists of a low-lying copper planter with Cloudberry slowly descending in a conical shape back into the earth, combining minimalist vocabulary with an ecological concern.
Webster melted the weapon down to create the small cube; the presentation of the box itself does not seem an atypical choice for her, but the relation to a vehicle of violence is unique to her body of work.
[18] In addition to her work in installation and sculpture, Webster creates and exhibits what can be considered “paintings,” which consist of unconventional materials applied to paper.
On multiple occasions, Webster has exhibited video projections of bears in their natural habitat, implying the consequences of malignant human intervention in the environment.
Through these videos, Webster places environmental protection into dialogue with the commercial gallery space, asking the viewer to empathize with nature in an unexpected setting.