In an interview with Eugene Thacker in CTheory, Rackham speaks of dealing with the body at a molecular level "infectious agents... steaming open protoplasmic envelopes, penetrating cellular cores, crossing species boundaries, and shattering illusions of the discrete autonomy of ourselves"[6][better source needed] In a paper analysing carrier for the academic journal Biography, scholar Tully Barnett connects the carrier to posthumanist theories, and describes it as "a biopoiitical web-based work that sets out to destabilize users' traditional or conventional notions of the body.
In April 2003, Rackham was invited to be the inaugural Curator of Networked Media at the Australian Centre for the Moving Image (ACMI) in Melbourne and from 2010 to 2012 was co-curator for Australia's Royal Institution.
[16] As an adjunct professor at RMIT University,from 2009 to 2012, Rackham continued to curate and write on the emerging art and cultures manifesting across networked, responsive, biological, wearable and distributed practices and environments.
After researching and writing the monograph Catherine Truman: Touching Distance published in 2016,[18] she took a sabbatical and lived part-time over a period of two years on the Anangu Pitjantjatjara Yankunytjatjara (APY) lands.
She served on the Steering Committee,[citation needed] which commissioned "The Space Between",[23] a commemorative public artwork in recognition of the long lasting effects of forced adoption practices in South Australia, located in Grundy Gardens along Adelaide's River Torrens, unveiled on 14 July 2016.