Music, and includes collaborations with CeeLo Green, Mozzy, Young Thug, 6lack, Eryn Allen Kane, Jagged Edge, André 3000, Future, Currensy, 2 Chainz, Kaash Paige, Blxst, Fabo, El-P and Ty Dolla Sign.

[2] In an interview with Zane Lowe, Killer Mike called the album both his "come home moment musically", due to it being influenced by gospel, soul, funk and hip hop, and his "submission to God, like, 'Okay, you got me.'"

[6] Rolling Stone's Mosi Reeves felt that "despite the sometimes-overwrought musical backdrop, Killer Mike remains an incisive and compelling lyricist who confidently takes Michael into unexpected places" and that the rapper "focuses on his personal life, particularly his late mother and grandmother, with uncharacteristic empathy and restraint, even as he continues to utilize his uniquely brusque vocal style".

Smyth also found there to be "a few more commercial moments, such as what counts nowadays as a rare guest appearance from Outkast's Andre 3000 over the futuristic synths of "Scientists & Engineers", and a skyscraping turn from another Atlanta man, CeeLo Green, on Down by Law.

[8] Slant Magazine's Steve Erickson remarked that Michael "emphasizes Killer Mike's Atlanta heritage by harkening back to a style of Southern rap influenced by gospel, soul, and blues" and although most songs "rel[y] on a similar arrangement of choirs, pianos, and organs, which risks becoming tiresome, [...] its sonic divergence from most mainstream American hip-hop today is refreshing".