Minouk Lim (born 1968) is a South Korean multimedia artist, and documentary filmmaker.
In 1998, she created the installation Bus Stop for the exhibition City and Image: Food, Clothing, Shelter.
The work was centered around the bus stop billboards in South Korea after the 1997 Asian financial crisis.
[5] Lim's video work New Ghost Town (2005) focuses on Yeongdeungpo and the redevelopment project set in place by the Seoul Metropolitan Government.
"[7] S.O.S-Adoptive Dissensus (2009) is a site-specific video work by Lim; it chronicles a ferry's trip down the Han River.
[4] Much of Lim's work is concerned with the silent or invisible aspects of various topics[8][9] such as, industrialization and language.
[9] Her work is critical of society's rapid development and its impact on political and social aspects of life[8] as well as the personal displacement and loss one feels in an urban environment.
And in recent years, Lim discovered a distinct visual language that combines her interest in performance, video and documentary.
[8] Lim has the ability to take mass media and subculture in her art to challenge her audiences about the history of South Korea.