Eduardo Montes-Bradley (born July 1960) is an Argentine-American documentarian and photographer, He is known for Evita, Rita Dove: An American Poet, and Harto The Borges.

His most recent films are Black Fiddlers and Daniel Chester French: American Sculptor[1] He’s currently working on The Italian Factor: The Piccirilli Story.

Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero.

Buenos Aires, Argentina: 34th Mar del Plata International Film Festival, INCAA.

144 : photographs, 23 cm.Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.

{{cite book}}: CS1 maint: location missing publisher (link) Bio-bibliographical essay on Carlos María Ocantos.

Brasília, Montevideo: Bianchi Editores Ediciones Pilar, Collección Señales de Vida.

Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.

Collection: Continente Desaparecido, directed by Gianni Minà ISBN 88-200-3201-5.

Montes-Bradley contributed to El País, Babelia,[101] Les cinemas de la Amerique Latine[102] by Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, Mexico; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[103] Critica de Argentina; and La Nación.

Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."

Montes-Bradley was recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.

[104] His photo-work appeared in The Atlantic,[105] The Washington Post,[106] La Nacion,[107]The Independent,[108] Deutsche Welle,[109] Diario Clarin[110] other newspapers[111] and magazines[112] as well as "Escenas de la memoria.

[115] His work is partially preserved at the Claude Moore Health Sciences Library, the University of Virginia.