Critics shared fans' negative reactions towards the album, questioning the ethics of Selena's voice being retouched by computers.

"Como Te Quiero Yo A Ti" was released as the lead single of Moonchild Mixes on July 29, 2022.

had wanted to create an album with modernized tracks of previously released material and five unreleased songs from Selena prior to her contractual commitments with EMI Latin in 1989.

[8] EMI Latin decided on a remix album with tracks by Selena turned into duets with popular artists.

[13] On March 15, 2022, Abraham announced that the follow-up album will contain "1980s-era Tejano music" with a tracklisting containing a sample of "50 unreleased songs" recorded by Selena.

[16] In a Good Morning America segment, John Quiñones believed the song "honors the Tejano legend's memory and legacy.

revealed that it took him over a year to update the sounds on "Como Te Quiero Yo a Ti" to its finished product because of "many obstacles" that prevented him from doing so.

revealed that their mother, Marcella Quintanilla, had originally selected the artwork for the album before it was postponed due to the COVID-19 pandemic.

Suzette stressed that the preservation of Selena's legacy through her works has been a difficult task that has made it harder for the family in coping with the singer's absence.

recalled a phrase Selena would often say: "The goal isn't to live forever but to create something that will" when interviewed by a reporter for La Prensa Latina on the negative responses the family has received.

[15] Biographer Joe Nick Patoski, called the commercialization of Selena a business, saying that "it happens when your father is your manager".

[25] WOAI-TV called comments such as "just let her die" and "let her go, she's dead" that were left by people on their Facebook posts on Selena, as seemingly insensitive.

[25] Matt Wille of InPut Magazine, believes that positive responses by fans depend "greatly on the care" the family incorporates in the recordings.

[23] This concern was echoed by Craig Huber of Spectrum News, who found the idea of updating a 13-year-old Selena song both "interestingly, and perhaps controversially".

[27] Stella Chavez of National Public Radio (NPR) took to Twitter to complain about the new release disliking the idea of Selena's voice being "done using computers".

[24] Suzette Exposito of Rolling Stone magazine, also took to Twitter to criticize the release writing that "nothing is stopping Selena's family from working with new artists today".

"[28] A journalist for The Los Angeles Times, called the project "a Selena robot album" that the singer wouldn't have wanted.