For example, Maasaki Suzuki's 2009 recording with the Bach Collegium Japan on BIS includes O Jesu Christ, meins Lebens Licht, BWV 118 (which at one time was categorised as a cantata) and Ich lasse dich nicht, BWV Anh.
For example, Wolfgang Helbich recorded The Apocryphal Bach Motets, sung by the Alsfelder Vokalensemble, in 1993 (released in 1994, re-issued 2014).
Exceptions include the Hilliard Ensemble's second set,[5] and Konrad Junghänel with the group Cantus Cölln.
[13] La Petite Bande and Bach Collegium Japan, for example, use the orchestration of Der Geist hilft unser Schwachheit auf for the other pieces for double choir.
They omit the instrumental parts of Der Geist hilft unser Schwachheit auf, but sing Lobet den Herrn to organ accompaniment.
John Eliot Gardiner, who has won more Gramophone Awards than any other living artist, received one for his second recording of the motets with the Monteverdi Choir on SDG.
Grete Pedersen with the Norwegian choir Det Norske Solistkor won a Diapason d'Or in 2018 for their recording of the motets on BIS.
Raphaël Pichon with Pygmalion won an Opus Klassik award in 2021 for their recording of the motets on Harmonia Mundi.