Moyshe-Leyb Halpern

In order to avoid the military draft, Halpern emigrated to New York City in 1908 where he became associated with a group of Yiddish poets called Di Yunge (The Young Ones).

[4] Ruth Wisse writes about him thus: Halpern was generally less sociable than his literary colleagues and everyone who met him in the early immigrant years commented on the solitude which seemed particularly pronounced in him.

He could never compromise or bend.” Though he contributed to the group’s many publications and little magazines, he was slightly apart from the others, the lone wolf, or, as the play on his name suggested, the brooding Lion, Moishe Leib.

Almost alone among his fellow writers he failed to find steady work in the small factories, manual trades, or editorial offices where most of the others eventually made their living, and this economic precariousness, which continued practically without interruption until his death, contributed to his image as a troubling nonconformist, and to his artistic distance.

[4]Halpern's importance can be measured in the 50 poems and 400 articles written from 1932 to 1954 on him by his contemporaries, some of whom include Jacob Glatstein, Itzik Manger, and Mani Leib.

Moyshe-Leyb Halpern, self-portrait, 1927
Moyshe-Leyb Halpern, self-portrait, 1922