It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.
[25] The earliest influential theory was proposed by Charles Darwin in 1871, who stated that music arose as a form of sexual selection, perhaps via mating calls.
The disputed Divje Babe flute, a perforated cave bear femur, is at least 40,000 years old, though there is considerable debate surrounding whether it is truly a musical instrument or an object formed by animals.
[30] The earliest objects whose designations as musical instruments are widely accepted are bone flutes from the Swabian Jura, Germany, namely from the Geissenklösterle, Hohle Fels and Vogelherd caves.
[31] Dated to the Aurignacian (of the Upper Paleolithic) and used by Early European modern humans, from all three caves there are eight examples, four made from the wing bones of birds and four from mammoth ivory; three of these are near complete.
[34][35] The "Hurrian Hymn to Nikkal", found on clay tablets in the ancient Syrian city of Ugarit, is the oldest surviving notated work of music, dating back to approximately 1400 BCE.
Musicians and singers played a prominent role in Greek theater,[38] and those who received a musical education were seen as nobles and in perfect harmony (as can be read in the Republic, Plato).
The most popular form of Indonesian music is gamelan, an ensemble of tuned percussion instruments that include metallophones, drums, gongs and spike fiddles along with bamboo suling (like a flute).
[49] The medieval music era (500 to 1400), which took place during the Middle Ages, started with the introduction of monophonic (single melodic line) chanting into Catholic Church services.
Prominent composers from this era include Guillaume Du Fay, Giovanni Pierluigi da Palestrina, Thomas Morley, Orlando di Lasso and Josquin des Prez.
German Baroque composers wrote for small ensembles including strings, brass, and woodwinds, as well as for choirs and keyboard instruments such as pipe organ, harpsichord, and clavichord.
The music of the Classical period (1730 to 1820) aimed to imitate what were seen as the key elements of the art and philosophy of Ancient Greece and Rome: the ideals of balance, proportion and disciplined expression.
Romantic composers such as Wagner and Brahms attempted to increase emotional expression and power in their music to describe deeper truths or human feelings.
[61] Romantic composers grew in idiosyncrasy, and went further in the syncretism of exploring different art-forms in a musical context, (such as literature), history (historical figures and legends), or nature itself.
In Beethoven's case, short motifs, developed organically, came to replace melody as the most significant compositional unit (an example is the distinctive four note figure used in his Fifth Symphony).
Later Romantic composers such as Pyotr Ilyich Tchaikovsky, Antonín Dvořák, and Gustav Mahler used more unusual chords and more dissonance to create dramatic tension.
Different performers' interpretations of the same work of music can vary widely, in terms of the tempos that are chosen and the playing or singing style or phrasing of the melodies.
As such, in popular and traditional music styles, even when a band plays a cover song, they can make changes such as adding a guitar solo or inserting an introduction.
Some music lovers create mix tapes of favourite songs, which serve as a "self-portrait, a gesture of friendship, prescription for an ideal party... [and] an environment consisting solely of what is most ardently loved".
Depending on the definition of "element" being used, these can include pitch, beat or pulse, tempo, rhythm, melody, harmony, texture, style, allocation of voices, timbre or color, dynamics, expression, articulation, form, and structure.
"[103] Examples of common forms of Western music include the fugue, the invention, sonata-allegro, canon, strophic, theme and variations, and rondo.
[113] Research in this field and its subfields are primarily empirical; their knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants.
[120][121][page needed][122] An alternate view sees music as a by-product of linguistic evolution; a type of "auditory cheesecake" that pleases the senses without providing any adaptive function.
Late-period Beethoven string quartets, Stravinsky ballet scores, serialism, bebop, hip hop, punk rock, and electronica were controversial and criticised, when they were first introduced.
Women are less common as instrumental players in popular music genres such as rock and heavy metal, although there have been a number of notable female instrumentalists and all-female bands.
Though there were plenty of female singers on the radio, women ...were primarily seen as consumers:... Singing was sometimes an acceptable pastime for a girl, but playing an instrument, writing songs, or producing records simply wasn't done.
Audiences can also become performers by participating in karaoke, an activity of Japanese origin centered on a device that plays voice-eliminated versions of well-known songs.
These sites make it easier for aspiring singers and amateur bands to distribute videos of their songs, connect with other musicians, and gain audience interest.
Involvement in playing and singing music is thought to teach basic skills such as concentration, counting, listening, and cooperation while also promoting understanding of language, improving the ability to recall information, and creating an environment more conducive to learning in other areas.
Since the 2000s, the increasing popularity and availability of Internet forums and YouTube "how-to" videos have enabled singers and musicians from metal, blues and similar genres to improve their skills.