At the early age Mykola moved to Yuzivka where he attended classes in drawing and became fond by artwork of Illia Ripin and Vasilkivsky.
After escaping a prisoner-of-war camp in Poland during World War I he made his way to Germany where his love for art brought him to the private studio of Hans Baluschek in Berlin.
Besides numerous French, Italian, Dutch, and (later) Ukrainian landscapes, he also painted flowers, still life, nudes, and portraits (such as of Oleksandr Dovzhenko and Volodymyr Vynnychenko, as well as portraits commissioned by the Soviet government of the French writers Henri Barbusse, Romain Rolland, and Victor Margueritte and the painter Paul Signac).
[2] Through his relationship with businessman André Mirabeau, he allegedly obtained over two hundred drawings of military equipment which he supplied to Soviet intelligence.
[4] In the 1960s, having come into close contact with new artistic trends on his trips abroad, he revitalized his paintings with expressive colors, and assumed a leading position among Ukrainian colorist painters.