Other subsequent sales of her outstanding Vodou flags were made through the connections of her husband, Charles, who convinced customers and visitors at the hotel to buy her work.
Constant uses that inspiration to remember her memories of Vodou ceremonies and knowledge of the spirits to create her own design in the flags.
Typically, most of her works are as large as bedspreads depicting various significant events in Vodou and Haitian history through using needle, thread, cloth, and tiny adornments.
Specifically, her piece of the 2010 Haiti earthquake apocalypse was recognized as an immediate potential for becoming one of the 2011 Ghetto Biennale Exhibition in New York's most extreme and powerful artistic visions.
[4]: p.9 In 2014, her work was exhibited along with André Eugène, Adler Guerrier, Pascale Monnin, and others in a group show co-curated by Herns Louis Marcelin and Kate Ramsey titled "Transformative Visions: Works by Haitian Artists from the Permanent Collection" that was held at the University of Miami Lowe Art Museum.
In 2019, along with twenty-two other artists, her work was exhibited in "The Last Supper" themed Faena Art Festival in Miami.
[7] Constant's work Negra Danbala Wedo (1994-2019), is featured in the collection of the Pérez Art Museum Miami.
The visual characteristics include a border of crossbones and skulls, and angels and God looking down on the situation resembling the prophet Ezekiel's vision of dry bones: “The hand of the Lord was on me, and he brought me out by the Spirit of the Lord and set me in the middle of the valley, it was full of bones.
Ezekiel 37:1).” Other aspects of this piece include homes, churches, and Vodou temples, all being reduced to rubble.
The Catholic Archbishop Serge Miot, who is a man of God, lies dead under the fallen roof of his cathedral with a hand on a bible.
Other individuals in the piece are shown as Vodouists who either carry a child in their arms or wheelbarrow the dead and wounded to the appropriate destinations as a summoning mortal to the hand of their maker in the call of Gabriel.
Constant's piece depicted a meaning that explained the suffering as ultimately, just as with life, letting death go on.
Looking forward to Ash Wednesday being faithful and having anticipation on Eastertide's Resurrection were things that Constant reminded the victims of.
This flag depicts a coquettish spirit who glides through the sea holding flowers and a handheld mirror close by.
There is a legend that states the spirit pulls women underwater to get the transformational gift of healing power.
[11] Al Dalaflmbo-Negrel’a L’arch en Clfi 18.75” x 31.75” Waterloo Center for the Arts This flag or banner is made with cloth, sequins, and beads.
[15] Omnipresen Ciadvivn 21’’ x 19’’ Waterloo Center for the Arts This is a sequined and beaded flag showing a dramatic image of an old testament deity.
[17] Dambalah Wedo et Ayda Voir Preeace 51’’ x 56.5’’ Waterloo Center for the Arts This is a sequined flag that originated from Haiti.