The focus of Adajania's writing, research and curatorial interests is the relationship between the artistic imagination and the technological resources and potentialities available to it in any particular society and period.
[2] Adajania has reflected, in several essays and lectures, on the aesthetic and political effects of what, following the theorist Paul Virilio, she terms dromomania, an obsession with speed produced by the globalisation of communicative and distributive processes.
Adajania intended these symposia revisit and update the debates surrounding this tension, and to generate a new discourse in the field, this cycle of meetings included the national-level seminar, 'Should the Crafts Survive?
She has since presented her research in the form of an archive-installation, 'In Aladdin's Cave,' exhibited at 'On difference 2/Grenzwertig' (Wuerttembergischer Kunstverein, Stuttgart, February 2006)[11] and 'Building Sight' (Watermans Arts Centre, London, Summer 2007).
[13][14] Adajania has held an Associate Fellowship with Sarai CSDS, and is in the process of establishing, jointly with Ranjit Hoskote, a new journal of critical inquiry in the visual arts.