She works by exposing and transforming her own body to the limit, with the aim of revealing through her high-impact performance, how those oppressive norms of the dominant culture operate.
[1][2][3][4][5][6][7] She also explores through interventions and disruptive actions in the public space with themes like migration, power dynamics, abortion, and gender equality, works in which she evidences her perspective of art as a socially transformative tool.
[3][8][9][10] Voliakovsky is the creator of the first digital platform specialized in theoretical research, archive, and heritage, Argentina Performance Art - APA (2018).
She participated in group exhibitions and made performances in Argentina, Brazil, Colombia, United States, Greece, Guatemala, Finland, India, England, Italy, Uruguay, Czech Republic, Mexico, Turkey, Ukraine, among others.
[14][3] In the field of bio-hacking, she has surgically intervened her body and made audiovisual records of it, focusing on the intervention over her own corporeality as a form of political activism.
[20][19][21][22][23] She was also selected in EmergeNYC (New York, 2019), an artistic incubation program of the Hemispheric Institute, with which she developed her site-specific The Weight of the Invisible, which was exhibited at Abrons Arts Center and at NoOsphereArt as part of Greenpoint Open Studios.
Through these procedures of documenting her own body, she embodies the logic and devices of bodily and aesthetic standardization of modern society, to expose and reflect on them concerning time.
[35][36][37] Her latest explorations included the work of identity from a more fluid place in relation to the body itself and addressing the rupture of traditional and naturalized gender conceptions.
The project was declared of interest by the Legislature of the Government of the City of Buenos Aires through the Office of Cultural Patronage for its contribution to the contemporary art community.
One of its tasks is the documentation of performances in which there was no material record, but there was an oral transmission of the experience, recovered through the archiving of living sources such as artists, historians, critics, and journalists.
The platform aims to provide free and open access to knowledge about performance, through historical archives, journalistic articles, research, and conferences and interviews with various references.