Nathalie Sarraute

Sarraute's essay The Age of Suspicion (L'Ère du soupçon, 1956) served as a prime manifesto for the nouveau roman literary movement, alongside Alain Robbe-Grillet's For a New Novel.

Sarraute became, along with Robbe-Grillet, Claude Simon, Marguerite Duras, and Michel Butor, one of the figures most associated with the rise of this new trend in writing, which sought to radically transform traditional narrative models of character and plot.

Sarraute was awarded the Prix international de littérature for her novel The Golden Fruits in 1963, which led to greater popularity and exposure for the author.

As a result of Sarraute's growing popularity and public profile, she was invited to speak at a number of literary events in her native country of Russia ,in France, and abroad.

Sarraute celebrated the death of the literary "character" and placed her primary emphasis on the creation of a faithful depiction of psychological phenomena, as in her novella The Golden Fruits, consisting entirely of interior monologues, and the novel The Planetarium (1959), which focuses on a young man's obsession with moving into his aunt's apartment.

The constantly shifting perspectives and points of view in Sarraute's work serve to undermine the author's hand, while at the same time embracing the incoherence of lived experience.

Enfance ( Childhood ). The cover of Sarraute's autobiography, published in 1983
Le planétarium ( The Planetarium ). The cover of Sarraute's 1959 novel