“Van Hear describes the many unprecedented features of contemporary migration patterns and densities as they issue from revolutionary developments in communications technology and transportation facilities unimagined in earlier historical periods.
[2] Juan Flores is a professor at New York University, whose work The Diaspora Strikes Back focuses on the eminent ethnic and cultural studies.
He looks at how 'Nuyoricans' (Puerto Rican New Yorkers) have transformed the home country, introducing hip hop and modern New York culture to the Caribbean island.
Fidel Castro embraced communism and established a political and economic system which the government controlled the resources forcing some Cubans to migrate.
Cubans are also very active in politics, “unlike most other Latinos, a majority of Cubans have traditionally voted Republicans - due largely to the Republican Party’s strong stance against Cuban dictator Fidel Castro” [10] They have also used all the government support they have received wisely to distinguish themselves apart from the other Latino groups, “Cuban immigrants manifest higher levels of income and education that the aggregate of other Latino groups while exhibiting lower poverty levels.” [11] In 2006 the single “Nuestro Himno”, a Spanish paraphrased version of the “Star Spangled Banner” was released as part of a project trying to support the ongoing demonstrations in support of Latino immigrants who mobilized demanding an immigration reform.
The single was a significant project because in this context Latino music was used for creating common space where imagining and enacting Latinidad beyond traditional national borders.
Furthermore, Maria Cepeda argues in her work “Singing the Star-Spanglish Banner”, present day immigrants are intimately familiar with the mass meditated imaginary that shapes as much as it reflects their movement homeward.” [12]