It is regarded as one of Latin America's most distinctive colonial-era expressions and as Nicaragua's signature folkloric masterpiece combining music, dance and theater.
In the late 19th century, Modernismo emerged, a poetic movement whose recapitulation was a blending of three European currents: Romanticism, Symbolism and especially Parnassianism.
This movement was of great influence in the whole Spanish-speaking world (including the Philippines), finding a temporary vogue also among the Generación del 98 in Spain, which posited various reactions to its perceived aestheticism.
Though Modernismo itself is often seen as aestheticist and anti-political, some poets and essayists, introduced compelling critiques of the contemporary social order and particularly the plight of Latin America's indigenous peoples.
According to literary manifests which were published in 1931, one of Coronel's objectives were to "initiate a struggle to get the public attention through artistic expressions, intellectual scandal, and aggressive criticism".