[3][citation needed] His shapes are inspired by the work of Henry Moore (1898–1986), Barbara Hepworth (1903–1975), and Hans Arp (1886-1966).
The futuristic blob architecture (a term of Greg Lynn) and the work of Zaha Hadid also inspire him.
Afterwards followed monumental works in public and private collections, including: NARZTALPOKS (Our Farm, Bruges), LUIZADO (Gallo-Roman Museum, Tongeren) IMAGROD (Milho, Ostend) CIRBUATS (A large yellow "blob" in the form of a chair in the Zebra, Ghent, where a bar is located[2]), EGNOABER (Emmen)[3].
Ervinck has investigated alongside more conventional work also known as the "artistic possibilities of the digital revolution".
The boundaries of the virtual space he wants to make tangible the complex forms of 3D prints that are impossible to do manually (such AGRIEBORZ 2009).