[6] She married Hugo von Rosthorn, the head of the Emperor Ferdinand's Northern Railway, but published most of her music under the name Nina Stollewerk.
[9] Stollewerk was mentioned in at least 14 articles or reviews in the Allgemeine Wiener, frequently by critic Ferdinand Peter Graf von Laurencin d’Armond (also known by the pseudonym “Philokales”).
Unusually for a woman at that time, Stollewerk conducted a performance of her orchestral works at the Odeon concert hall in Munich in 1851.
[8] Her compositions included: Romanesca (bass viol)[11] Mary Stuart Overture[12] Mass[2] Offertory[2] two symphonies[13] “Elisa’s Erstes Begegnen” (text by Ferdinand Sauter)[14] “Grablied” (text by Johann Nepomuk Johann Vogl)[14] Gute Nacht (male chorus and TTBB solo quartet)[15] “Liebchen wo Bist Du?” (text by Joseph David)[16] “Linde Durch die Linde”[8] “Matrosenlied,” opus 6 no.
1 (text by Wilhelm Christoph Leonhard Gerhard)[14] Psalm (for six voices)[2] “Uberall mit Dir”[8] “Wunsch und Gruss,” opus 6[6] “Zwei Gedichte,” opus 5 (text by Siegfried Kapper)[14]