The song is well known and many cover versions of it have been recorded by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others.
Oh, yes, Lord In the late 19th century African-American music began to appear in classical music art forms, in arrangements made by Black composers such as Samuel Coleridge-Taylor, Henry Thacker Burleigh and J. Rosamond Johnson.
Johnson made an arrangement of "Nobody Knows the Trouble I See" for voice and piano in 1917, when he was directing the New York Music School Settlement for Colored People.
American contralto Marian Anderson had her first successful recording with a version of the song on the Victor label in 1925.
[6] Recent interpretations of the classical version of this spiritual have been made by a Chicago violinist, Rachel Barton Pine, who has been working along the lines of Powell's legacy.