Norman T.A. Munder

And in the same year, he co-authored the "Report of First Meeting and Dinner, Tendered to the Apprentices by the Typothetae of Washington, D.C." In 1920, he was awarded the first AIGA medal.

He also printed the first book of Gulliver's Travels for the Limited Editions Club, and in 1925 he wrote and published Advertising of Truth.

His reproductions and type arrangements were marvels of taste and clarity; his attention to the finer points of binding and paper was no less meticulous."

A 1940 Baltimore Sun article by Amy Grief describes "a visit to his large, sunny office, situated conveniently near the print shop, where he can hear the sond of his beloved presses and be accessible to anyone who comes to him for advice, reveals a small, rubicund cheerful man with white hair, keen blue eyes and a general Pickwickian air... very genial, very approachable, very kindly."

Norman and his two brothers, Charles and Wilmer, played in the St Paul's Burying Ground at Lombard and Fremont Streets.

When he was seven, an advertisement of a small printing press for sale attracted the boys' attention and they scraped enough money together to buy it.

By that time having lost their father, their mother, Priscilla Price Munder (a woman known for her pious life and good works), took them to buy their first real printing press, which ran faithfully until it was destroyed in the Baltimore Fire of 1904.

After school and on weekends they worked their "mule-powered" printers (not yet steam-treadled) and despite the fact that Norman's two fingers got caught and were cut off below the nails by the new printer the first day it arrived, the business thrived and began to take on seriously large orders from a North Carolina tobacco firm and the B&O Railroad, which wanted updated timetables continuously printed.

Recognition included great friends like Frederic Goudy and Bruce Rogers, two of the most famous type designers and typographers in America.

That is his typical understanding (of quality presentations) and helps to explain what made him one of the most distinguished printers in the country and a collaborator with the best of the American artists, designers and typographers.