[6] After leaving her studies she purchased equipment for a home studio, including Casio CZ-1 and Polymoog synthesisers, a TEAC A-3440 reel-to-reel machine, Roland tape echo effect and others.
[7][11] In 1991 she was included as part of the third Festival of Electronic Music in Caracas, but outside of some international radio play her work remained largely unreleased.
[12][7] In 2019, her music came to the attention of Cher-ee-lee and Andrea Zarza Canova who included Linde's Reverie II on their Dream Tech compilation.
[14] Since releasing Aquatic And Other Worlds, Oksana Linde's music has been likened to other early electronic musicians like Delia Derbyshire.
In their review, Electronic Sound Magazine wrote she was closer to Wendy Carlos and Isao Tomita than Derbyshire,[15] while The Wire likewise noted the comparisons to artists like Derbyshire and Carlos, and wrote the release of Linde's music was a lesson in how so many other female electronic composers were unrecognised.