Oltos

Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration.

Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios.

His drawing style was spacious and elegant, but never reached the depth of detail of his most important contemporary masters.

We know of at least six: Hischylos, most importantly Pamphaios, with whom he created the earliest known stamnos, Tleson, Chelis, and finally Kachrylion, for whom he worked together with Euphronios, as well as Euxitheos.

An innovation introduced by Oltos is found on an amphora at London (British Museum E 258).

Athena and Enceladus in combat, red-figure plate, Louvre CA 3662.
Eurystheus hiding in a jar as Herakles brings him the Erymanthian boar . Side A from a red-figure kylix by Oltos, ca. 510 BC, Paris , Louvre (G17).