It follows a father and daughter (Bill Murray and Rashida Jones) as they harbor suspicions about her husband's (Marlon Wayans) fidelity.

Dean is a successful entrepreneur at a burgeoning tech start-up, surrounded by young and attractive co-workers, often leaving Laura in charge of their daughters.

As Laura grows suspicious, Felix picks her up in his vintage sports car and convinces her to stake out Dean as he attends a work dinner.

After Dean leaves in a cab with Fiona, Felix speeds through the streets after them, but Laura and he end up pulled over by two police officers due to reckless driving.

At the resort, Laura and Felix argue over his infidelity, which he attempts to rationalize by saying he felt undervalued by her mother after their children were born, and tearfully reveals that his former mistress recently died.

On November 15, 2018, it was announced that Apple had entered into a multi-year agreement with entertainment company A24 to produce a slate of original films in partnership with their worldwide video unit.

The website's critics consensus reads: "On the Rocks isn't as potent as its top-shelf ingredients might suggest, but the end result still goes down easy – and offers high proof of Bill Murray's finely aged charm.

[14] David Ehrlich of IndieWire gave the film a "B+" and said that "On the Rocks isn't destined to achieve the same kind of iconic status as some of Coppola's previous work.

'"[15] Owen Gleiberman of Variety said that "On the Rocks turns into a boozy humanistic hang-out caper movie, one that's light-spirited and compelling, mordantly alive to the ins and outs of marriage, and a winning showcase for Murray's aging-like-fine-whisky brand of world-weary deviltry.

Club gave the film a B, praising Murray's performance as "an irresistible star turn, loose and funny and comfortable" but calling it weak among Coppola's work.

Socialist magazine Jacobin's Eileen Jones described the film as, "another meandering depiction of life as a bored and alienated celebrity," and noted it for being, "Extraordinarily vapid ... oblivious to its own world of wealth, privilege, and access.