Onirism

After Eugen Barbu was replaced as a leader of the circle by the ex-avant-garde writer Miron Radu Paraschivescu, Paraschivescu published a poetry-and-prose supplement to the magazine Ramuri called Povestea vorbei; his goal was a new avant-garde magazine uniting old and new oniric poets and writers.

In 1966 Vintilă Ivănceanu, Dumitru Țepeneag, Leonid Dimov and Virgil Mazilescu would all publish in Povestea vorbei before the magazine was summarily banned by the Stalinist government.

Beginning in 1968, the center of the oniric movement moved toward Luceafărul; there (in addition to the above-mentioned poets and writers), Emil Brumaru, Florin Gabrea, Sorin Titel, Daniel Turcea and others would publish.

Although it was rooted in world oniric literature (especially German Romanticism – considered by some critics to be a current related to surrealism – and new French fiction), the group was quickly banned by Romanian censorship and Țepeneag was forced into exile in Paris.

[1] Many onirist writings remaining in Romania have recently been collected into a book by Corin Braga, a conservator of the aesthetics of onirism.