[3] Her school years at Behzad Art Academy, from 1963 to 1966, played an important role in shaping her visual language.
[4] Ganji was classmates with several known artists, including Bahman Mohassess, Ahmad Shamloo, Sohrab Sepehri, and Gholamhossein Sa’edi.
She worked on "The Safavid Tiles of Isfahan" as her thesis, which is inspired by original designs and paintings of Iranian art.
She worked on “the kinetic movement of esoteric arabesque designs of Persian carpets, inspired by the dancing human form”.
[3] Ganji returned to Iran in 1976, collaborated with the center for the Intellectual Development of Children and Young Adults, curated an exhibition of their paintings, and illustrated a book.
[6][7] It was in Japan where she learned about a Japanese technique called Sumi-e or ink wash painting, which she worked to master.
[6] In the early 2000s, Ganji started working on the Night Windows series, which replaced red with purple.
[6] Night Windows are described to be new ways to historical occurrences to show the light through the darkness shaped by the many layers of purple.